5. 幸运的Madlo Sibiya 九幅木版印刷品: 高清作品[93%]

Nine woodblock prints :

图片文件尺寸 : 4843 x 3918px

Lucky Madlo Sibiya:Nine woodblock prints (i-ix):
each signed and dated \'L Sibiya 77\' (lower right) and numbered \'9/75\' (lower left); each titled (verso)
coloured woodblock prints
each image: 56.3 x 39cm (22 3/16 x 15 3/8in)
each sheet: 65.9 x 48.2cm (25 15/16 x 19in).
(3 framed 6 unframed)

幸运的Madlo Sibiya 九幅木版印刷品:

下载幸运的Madlo Sibiya 九幅木版印刷品:大图

6. 芥川广志(1797-1858) 两幅木版版画多时期,1857年 高清作品[90%]

Two woodblock printsEdo period , 1857

图片文件尺寸 : 4857 x 5117px

UTAGAWA HIROSHIGE (1797-1858):Two woodblock prints
Edo period (1615-1868), 1857
Two oban tate-e prints from the series Meisho Edo hyakkei (100 Famous Views of Edo), both signed Hiroshige ga, published by Uoya Eikichi, the first entitled Mama no momiji Tekona no yashiro Tsugihashi (Maple Trees at Mama, Tekona Shrine and Linked Bridge), the second entitled Fukagawa Sanjusangendo (Hall of 33 Bays, Fukagawa) (2)
14 3/4 x 10in (37.4 x 25.4cm), the larger

芥川广志(1797-1858) 两幅木版版画多时期,1857年

下载芥川广志(1797-1858) 两幅木版版画多时期,1857年大图

7. 艾森修正案(1790-1848) 两幅木版版画多时期,约1820-1830年 高清作品[90%]

Two woodblock printsEdo period , circa 1820-1830

图片文件尺寸 : 4556 x 4661px

KEISAI EISEN (1790-1848):Two woodblock prints
Edo period (1615-1868), circa 1820-1830
Each an oban tate-e print, the first depicting a beauty before a wrapped parcel, from the series Imayo bijin kurabe (Contest of Beauties in the Modern Style), published by Wakasaya Yoichi; the second depicting a standing beauty, from an unknown series, each signed Eisen ga (2)
13 3/4 x 9 1/4in (35 x 23.5cm) each approximately

艾森修正案(1790-1848) 两幅木版版画多时期,约1820-1830年

下载艾森修正案(1790-1848) 两幅木版版画多时期,约1820-1830年大图

8. 芥川广志(1797-1858) 六幅木版版画多时期,约1840-1841年 高清作品[90%]

Six woodblock printsEdo period , circa 1840-1841

图片文件尺寸 : 4621 x 5352px

UTAGAWA HIROSHIGE (1797-1858):Six woodblock prints
Edo period (1615-1868), circa 1840-1841
All chuban yoko-e, from the series Tokaido gojusan tsugi (53 Stations of the Tokaido Road), also known as the Kyoka Tokaido, each signed Hiroshige ga, published by Sanoya Kihei, including: Ishiyakushi, toiyaba no zu (Ishiyakushi: The Station House); Goyu; Miya; Minakuchi; Yui; and Hodogaya (6)
6 5/8 x 9in (16.8 x 22.8cm) each approximately

芥川广志(1797-1858) 六幅木版版画多时期,约1840-1841年

下载芥川广志(1797-1858) 六幅木版版画多时期,约1840-1841年大图

9. 芥川广志(1797-1858) 六幅木版版画多时期,约1840-1841年 高清作品[89%]

Six woodblock printsEdo period , circa 1840-1841

图片文件尺寸 : 5084 x 5567px

UTAGAWA HIROSHIGE (1797-1858):Six woodblock prints
Edo period (1615-1868), circa 1840-1841
All chuban yoko-e, from the series Tokaido gojusan tsugi (53 Stations of the Tokaido Road), also known as the Kyoka Tokaido, each signed Hiroshige ga, published by Sanoya Kihei, including: Okabe, Utsu no yama no zu (Okabe: View of Mount Utsu); Fukuroi; Hamamatsu; Arai; Nissaka; and Kanaya (6)
6 5/8 x 9in (16.8 x 22.8cm) each approximately

芥川广志(1797-1858) 六幅木版版画多时期,约1840-1841年

下载芥川广志(1797-1858) 六幅木版版画多时期,约1840-1841年大图

10. 纳瑞塔·莫里凯恩(日期不详) 两幅木版印刷品《昭和时代》,1931年 高清作品[89%]

Two woodblock printsShowa era , 1931

图片文件尺寸 : 4778 x 5216px

NARITA MORIKANE (DATES UNKNOWN):Two woodblock prints
Showa era (1926-1989), 1931
Each an oban tate-e, the first depicting a beauty combing her hair by a river, her kimono hanging on a branch beside her, the second depicting a beauty applying a red band to her upper arm, both form the series Adesugata Nijushi ko (24 Figures of Charming Women), each signed and sealed Morikane, and with publisher\'s seal Yamase (2)
16 x 11 1/8in (40.6 x 28.2cm)

纳瑞塔·莫里凯恩(日期不详) 两幅木版印刷品《昭和时代》,1931年

下载纳瑞塔·莫里凯恩(日期不详) 两幅木版印刷品《昭和时代》,1931年大图

11. 川边京赛(1831-1889) 带有信封的木版印刷书明治时代,1889年 高清作品[89%]

A woodblock print book with an envelope enclosure Meiji era , 1889

图片文件尺寸 : 4642 x 4783px

KAWANABE KYOSAI (1831-1889):A woodblock print book with an envelope enclosure
Meiji era (1868-1912), 1889
An orihon accordion-style book entitled Kyosai hyakki gadan (Kyosai\'s Pictures of 100 Demons), featuring 27 illustrations in addition to text, dated eighth month of 1889, signed Kawanabe Toiku sensei ga, published by Buntokudo
With an envelope enclosure with another single print by Kyosai pasted onto the interior (2)
8 1/4 x 4 3/4 x 1/2in (30 x 12 x 1.3cm), independent of envelope

川边京赛(1831-1889) 带有信封的木版印刷书明治时代,1889年

下载川边京赛(1831-1889) 带有信封的木版印刷书明治时代,1889年大图

12. 芥川广志(1797-1858) 江户时期的六幅木版印刷品,约1840-1841年 高清作品[89%]

Six woodblock prints Edo period , circa 1840-1841

图片文件尺寸 : 4818 x 5450px

UTAGAWA HIROSHIGE (1797-1858):Six woodblock prints
Edo period (1615-1868), circa 1840-1841
All chuban yoko-e, from the series Tokaido gojusan tsugi (53 Stations of the Tokaido Road), also known as the Kyoka Tokaido, each signed Hiroshige ga, published by Sanoya Kihei, including: Shono; Goyu; Fujieda; Shirasuka, Shiomizaka no zu (Shirasuka: View of Shiomizaka); Chiryu; and Seki (6)
6 5/8 x 9in (16.8 x 22.8cm) each approximately

芥川广志(1797-1858) 江户时期的六幅木版印刷品,约1840-1841年

下载芥川广志(1797-1858) 江户时期的六幅木版印刷品,约1840-1841年大图

13. 芥川广志(1797-1858) 江户时期的三幅木版版画,约1835-38年 高清作品[88%]

Three woodblock prints Edo period , circa 1835-38

图片文件尺寸 : 4343 x 4175px

UTAGAWA HIROSHIGE (1797–1858):Three woodblock prints
Edo period (1615-1868), circa 1835-38
All oban yoko-e prints from the series Kisokaido rokujukyu tsugi no uchi (The 69 stations of the Kisokai Road), all published by Iseya Rihei (Kinjudo); in numerical order, the first, no. 40, Suhara; the second, no. 60, Imasu, with censor\'s seal kiwame; the third, no. 65, Takamiya, with censor\'s seal kiwame; each signed Hiroshige ga and sealed Ichiryusai (3)
9 7/8 x 14 1/2in (25.1 x 36.8cm), the largest

芥川广志(1797-1858) 江户时期的三幅木版版画,约1835-38年

下载芥川广志(1797-1858) 江户时期的三幅木版版画,约1835-38年大图

14. 住宅(1760-1849) 三幅木版版画多时期,约1806年和1802年 高清作品[88%]

Three woodblock printsEdo period , circa 1806 and 1802

图片文件尺寸 : 4302 x 3793px

KATSUSHIKA HOKUSAI (1760-1849):Three woodblock prints
Edo period (1615-1868), circa 1806 and 1802
Comprising two oban yoko-e prints from the series Kanadehon Chushingura (The Storehouse of Loyal Retainers, a Primer), entitled Kudanme (Act 9), and Godanme (Act 5), each unsigned, published by Tsuruya Kinsuke; a chuban tate-e print from the series Mitate nijushiko (Parodies of the 24 Paragons of Filial Piety), depicting a courtesan nursing Fukurokuju in a parody of Saishi (Cui She), signed Gakyojin Hokusai ga (3)
10 1/4 x 15in (26 x 38.1cm); 9 1/4 x 7in (23.5 x 17.8cm)

住宅(1760-1849) 三幅木版版画多时期,约1806年和1802年

下载住宅(1760-1849) 三幅木版版画多时期,约1806年和1802年大图

15. 艾森修正案(1790-1848) 三幅木版版画创作时期,约1820-1830年 高清作品[87%]

Three woodblock printsEdo period , circa 1820-1830

图片文件尺寸 : 4888 x 4220px

KEISAI EISEN (1790-1848):Three woodblock prints
Edo period (1615-1868), circa 1820-1830
Comprising oban tate-e prints, all signed Keisai Eisen ga, including Hara no eki (Hara Station, no. 14) from an untitled series of the 53 Stations of the Tokaido Road, published by Tsutaya Kichizo; Rokugatsu, Tenno Matsuri (June, Tenno Festival), from the series Ukiyo Bijin Junikagetsu (12 Months of Beautiful Women of the Floating World), published by Sano Kichibei; Takanawa Harbor, from the series Edo Meisho adakurabe (Contest of the Famous Views of Edo), published by Maruya Jinpachi (3)
14 3/4 x 10in (37.4 x 25.4cm) each approximately

艾森修正案(1790-1848) 三幅木版版画创作时期,约1820-1830年

下载艾森修正案(1790-1848) 三幅木版版画创作时期,约1820-1830年大图